Motion Capture and Embodied Virtual Performance
The breakout star of The Lord of the Rings: The Two Towers (Peter Jackson, 2002) was a slimy, pale figure with sparse, limp hair and a ragged loincloth. This creature, a devolved former hobbit named Gollum, nevertheless charmed audiences with his vibrant and mercurial performance that oscillated between devious scheming and pathetic pleading. What made […]
More than a Man in a Monkey Suit: Andy Serkis, Motion Capture, and Digital Realism
This essay examines the design and performance of the title character of King Kong in Peter Jackson’s 2005 remake, as well as their decision to expose their behind-the-scenes work in publicity material, online production diaries, and DVD special features. I argue that these ancillary materials do more than just promote the film; they also introduce […]