The Postracial Fantasies of Digital Visual Effects

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Mediating the Human in Facial Performance Capture

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Digital Film Restoration and the Politics of Whiteness in Peter Jackson’s They Shall Not Grow Old

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Race and the Digital Face: Facial (Mis)recognition in Gemini Man

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Losing Control: Until Dawn as Interactive Movie

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Virtue Through Suffering: The American War Film at the End of Celluloid

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Visual Effects: The Modern Entertainment Marketplace  (2000-present)

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How to Recognize a War Movie: The Contemporary Science Fiction Blockbuster as Military Recruitment Film

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Blackface, Happy Feet: The Politics of Race in Motion Capture and Animation

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More than a Man in a Monkey Suit: Andy Serkis, Motion Capture, and Digital Realism

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The World War II Video Game, Adaptation, and Postmodern History

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